The voices, the so-called voices?
act 1, scene 2, pg 15
Mak, Saloma nak kerja.
act 1, scene 4, pg 38
No, no. We both become bird. Yah, both become bird.
act 1, scene 3, pg 28
Yah, I finish my 'N' levels than I go VITB
act 1, scene 2, pg 15
Off centre? Where did you pick that up from?
act 1, scene 3, pg 25
Q1: In your opinion, how key is the parent-child relationship to Vinod's inevitable end?
In my opinion, the parent-child relationship played a key role in Vinods end. His poor parent-child relationship lead to his death at the end of the story. He lacked a proper parent-child relationship which resulted in him having no emtional support from his parents. He did not have anyone to ask advice for or seek help from and did not know where to go or what to do. His parents also amplied him for university overseas without discussing it with him. This shows that they do not communicate with each other and that his parents do not care of what he wants. His parents also denied that he had depression and thought he should continue studying as per normal. This added to his depression which led him to commit suicide.Q2: 'Vinod's high expectations of himself caused his downfall.' To what extent do you agree with this analysis of Vinod's predicament and tragedy?
I agree to a certain extent that his high expectations lead to his own downfall. He expected to be best at everything and expected too much from himself. He expected to take care of Saloma when he cannot even take care of himself nor give Saloma any good advice or support when she needed it. He also could not protect Saloma during the incident in act 3, scene 3, pg 96 " Eh, your boyfriend coward ah? ". During the incident he froze and the robber got away. After the incident, Saloma who was robbed changed for the better while Vinod became more depressed. Even when he is depressed, he expects that he must still make Saloma laugh. From act 5, scene 4, pg 136 " See, I can still make you laugh... ". He also expected that without taking his medicine he will recover from his depression which made him more depressed. In the end with all the depression from failing from his expectations he commited suicide.
Q3: Discuss the reasons for Saloma's transformation in the play.
Firstly, Saloma started to change after Emily taught her the mantra from act 2, scene 2, pg 54, " They are jealous.... because I am special. ". This gave Saloma more confidence and made her feel better. She also gained more courage to do other things. Secondly, Saloma met Vinod who also pushed her to become more open and talkative. This also gave her hope to become better as there was someone with her to help her along the way of recovery. Then, Saloma also took her medicine which was a crucial step in her recovery. The robbery was also one of the reasons that made Saloma change. After the robbery, she decided to apply for a job and cash-on-line card from act 5, scene 1, pg 112 " ... I must apply for Cash-on-Line card... ". This shows that Saloma changed for the better and recovered from her mental illness.
Q4: "Though a minor role in the play, the character of Razali is key to the plot of Off Centre." To what extent do you agree with this assessment?
I agree to a certain extent that Razali is key to the plot of Off Centre. Vinod and Saloma both see him as a guardian and a father figure and expects protection and support from him. Razali taught Vinod Malay and also gave some epok-epok to Saloma. From act 2, scene 3, pg 70 " Bapak beli epok-epok. Go back eat. " This changed both Vinod and Saloma in some ways. Vinod gained knowledge while Saloma gained a new respected person. Both gained a guardian. After the incident in act 3, scene 3 ,pg 96 " Eh, your boyfriend coward ah? " both Vinod and Saloma blamed Razali for not protecting them and said he was the one who had to protecting them as he is their father. With this, both Vinod and Saloma changed. Vinod became more depressed as he now realises that he cannot protect Saloma and cannot rely on anyone else to protect her. Saloma realises that Razali is not her guardian.
Q5: "Datta, Dayadhvam, Damyatta" means to "Give, Sympathise, Control". How did the major characters in the play exert control in their environment and/or their lives? Support your answer with evidence from the text.
Vinod exert control in his life by not taking his medicine and always tried to make Saloma laugh and feel good. Saloma exerts control in her life by taking her medicine and always wanted to help her mother eventhough she disagrees with her. Saloma also wants to recoer from her illness.
Q6: Based on the text Off Centre, discuss how peer acceptance and family support are vital to social status and mental well-being.
Peer acceptance is important as we can see how Vinod feels without peer acceptance. Without having any friends he felt even more depressed and not accepted in society. From act 2, scene 1, pg 50 "Well, it would have helped if some of my friends called once in a while.... ". Family support is also important. Without family support, Vinod became more depressed and felt insecure and not wanted. From act 2, scene 3, pg 74 "... I'd rather not talk about my parents.... ". With this, Vinod's social status is very low and nobody wants to be near him. His mental well-being is also affected as being alone makes him more depressed.
Island Voices Quotes
Paper
" Why don't you put your money to better use? " pg 3
" ... I shall give him a beautiful house! " pg 8
The Martyrdom of Helena Rodrigues
" Just in case you brought anyone home, dear. " pg11
" Helena trained her husband into near perfection punctuality... " pg 11
Sundowner
" There's no need to keep calling me 'tuan'... " pg 21
" Tuan likes to drink in the evening? " pg 21
Tanjong Rhu
" I know I have everything I need. " pg 30
" You want to see better don't you? " pg 30
Evening under Frangipani
" She had saved it to cheer him up... " pg 53
" The bungalow all to themselves! " pg 53
Lee
" Don't you remember anything about your country? " pg 86
" I don't eat meat. " pg 91
A History Of Tea
" I studied nineteenth and twentieth century Chinese history, you know. " pg 111
" ... Uncle raja was the oily man. " pg 112
A Dream Of China
" I began to dream dreams of China too. " pg 124
" A country is only as good as its men. " pg 138
Release
" Why do you always speak for someone else? " pg 143
" She heard squeals. " pg 148
An Obituary for Fifth Aunt Come Late
" You're not getting stronger, so skinny, so sick, so dried up, it's better you go to them. " pg 153
" Perhaps you should'nt return. " pg 157
Corridor
" You just stay in the hotel room the whole day. " pg 164
" Someone's been playing with our water. " pg 168
Mid-Autumn
" Mummy, don't be sad, can always buy new one. " pg 179
" I stayed in my teaching job so I could afford the best education for my daughter. " pg 180
Hamid and The Hand Of Fate
" Mid, sabar, Mid. " pg 194
" He doesn't want to get married. " pg 195
The Move
" Too bad the pomegranate has grown so big. " pg 205
" Ah So! You are finally moving! " pg 209
Pastime
" You're history. " pg 214
" Yes, I have a pastime just like yours, Tai Poh. " pg 216